Even in fortunate times,
The nectar is spiked with woe.
Gods are incorrigibly
Capricious, and the needy
Beg in Nineveh or sleep
In paper-gusting plazas
Of the New World’s shopping malls.
Meantime, the tyrant battens
On conquest, while advisers,
Angling for preferment, seek
Expedient paths. Heartbroken,
The faithful advocate looks
Back on cities of the plain
And trudges into exile.
And if any era thrives,
It’s only because, somewhere,
In a plane tree’s shade, friends sketch
The dust with theorems and proofs,
Or because, instinctively,
A man puts his arm around
The shoulder of grief and walks
It (for an hour or an age)
Through all its tears and telling.
Timothy Steele, “Golden Age”
from Sapphics and Uncertainties:
Poems 1970-1986.
6 x 4 "
monoprint with pencil
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8 x 4 "
monoprint with graphite
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6½ x 5 "
graphite on paper
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5 x 5 "
graphite on paper
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a poem in 7 parts…
graphite on paper
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Ten artworks on canvas that represent a polemic concerned with issues of globalism, world trade and the environment; conveyed and supported by appeals to the practical value of simplicity.
16 x 20"
ink, oil and pencil on canvas
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30 x 24"
ink, oil and pencil on canvas
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30 x 24"
ink, oil and pencil on canvas
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16 x 24"
ink, oil and pencil on canvas
SOLD
20 x 16"
ink, oil and pencil on canvas
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20 x 16"
ink, oil and pencil on canvas
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36 x 28"
ink, oil and pencil on canvas
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24 x 24"
ink, oil and pencil on canvas
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24 x 24"
ink, oil and pencil on canvas
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24 x 24"
ink, oil and pencil on canvas
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Occam's razor (also Ockham's razor or Ocham's razor; Latin: lex parsimoniae "law of parsimony") is the problem-solving principle that the simplest solution tends to be the right one. When presented with competing hypotheses to solve a problem, one should select the solution with the fewest assumptions. The idea is attributed to William of Ockham (c. 1287–1347), who was an English Franciscanfriar, scholastic philosopher, and theologian.
10½ x 8½"
graphite and pencil on paper
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8½ x 10½"
graphite and pencil on paper
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8½ x 10½"
graphite and pencil on paper
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10½ x 8"
graphite and pencil on paper
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8½ x 10½"
graphite and pencil on paper
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8½ x 10½"
graphite and pencil on paper
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10½ x 8½"
graphite and pencil on paper
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8½ x 10½"
graphite and pencil on paper
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8½ x 10½"
graphite and pencil on paper
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8½ x 10½"
graphite and pencil on paper
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36 x 25"
lithograph with watercolour monoprint
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edition 2 of 5
26½ x 20½"(paper size)
colour lithograph
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36 x 25½"
lithographic ball grained plate
original; used in the printing process
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edition 2 of 5
21½ x 20½"(paper size)
colour lithograph
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edition 2 of 5
20½ x 26½"(paper size)
colour lithograph
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26½ x 20"(paper size)
lithograph with pencil monoprint
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Anti-gravity (also known as non-gravitational field) is an idea of creating a place or object that is free from the force of gravity. It does not refer to the lack of weight under gravity experienced in free fall or orbit, or to balancing the force of gravity with some other force, such as electromagnetism or aerodynamic lift.
25 x 18"
mixed media on paper
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30 x 22"(paper size)
lithograph (artist's proof)
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edition 2 of 5
26 x 20"(paper size)
etching
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26 x 20"(paper size)
etching (artist's proof)
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a series of twenty-six colour lithographs based on the alphabet.
from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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from edition 2 of 6
9 x 9”(paper size)
colour lithograph
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The Road to the Western Lands is devious and unpredictable. today's easy passage may be tomorrow's death trap. The obvious road is almost always a fool's road, and beware the middle Roads, the roads of moderation, common sense and careful planning. However, there is a time for planning, moderation and common sense.
-William S. Burroughs from The Western Lands
24 x 22"
etching on canvas with oil
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26 x 22"(paper size)
etching (artist's proof)
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11 x 14"(paper size)
etching (artist's proof)
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9 x 12"
etching à la poupée
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29 x 22½"(paper size)
etching (artist's proof)
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edition 3 of 5
7½ x 6"(paper size)
etching
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edition 3 of 5
11½ x 9½"(paper size)
etching
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edition 3 of 3
11½ x 9½"(paper size)
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edition 3 of 5
22 x 14"(paper size)
etching
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edition 4 of 5
22½ x 26½"(paper size)
etching
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24 x 24"
silkscreen with oil on canvas
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30 x 22"(paper size)
silkscreen with pencil
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10 x 7½"(paper size)
etching (artist's proof)
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10 x 7½"(paper size)
etching (artist's proof)
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7½ x 6"(paper size)
lithograph (artist's proof)
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edition 3 of 5
7½ x 6"(canvas size)
lithograph
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10 x 6"(paper size)
lithograph with watercolour monoprint
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edition 3 of 5
6 x 6"(paper size)
etching
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8 x 11"
graphite pencil on paper
SOLD
11½ x 15"(paper size)
lithograph with watercolour
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